
2026 Season
The Season of Chaos and Folly
AUGUST 12 - 30
Tickets go on sale June 1st - All information coming soon.

'26 Welcome Note from Producing Artistic Director, Katharine Maness:
SitW’s 6th season is one of “Chaos and Folly” - Friends, what is possible when we weather the storm, finding ways to dream radically, together?
In a time of crisis and fear in America and beyond, I believe it is vital that our art is bold, takes risks, and pierces through the noise pushing inaction and despair. Theatre is a powerful tool in the face of violence, isolation, and fascism. It is communal by nature, and the very act of people from all walks of life coming together for a shared experience is one of radical defiance. To engage with art, requires us to think, to confront, to empathize - it has the capacity to move us all closer together and reconnect to our shared humanity. It’s no surprise that arts censorship is always one of the first moves fascism makes. We refuse to make it easy for them.
SitW continues to ground itself in our subversive, queer roots with this season’s offerings. Beth and Jaz’s provocative adaptations of Lear and Merry Wives seek to confront the current moment in the most unexpected, profound (and at times, downright audacious) ways. Our Lear interrogates power and legacy in an unlikely setting, seeking to make sense of the worlds we inherit and the ones we pass on, and how to move forward when it feels like the world is ending. Our Merry Wives drops us into heightened absurdity of peacockery and queer camp that revels in untangling masculinity in revelatory ways and a healthy dash of soap opera dramatic flair. I am thrilled to have Beth bring her singularly edgy style back to SitW for a third season, having previously helmed Coriolanus (2022) & Hamlet (2023), and to have Jaz share their addictively imaginative style with us for the first time. These adaptations have a sense of electric urgency coursing through them that asks audiences to move a little closer and also reinforces what a powerful antidote theatre can be.
I cannot wait for you to join us in Vermont this summer as we gather around art in defiant celebration, together.
- Katharine

LEAR
By William Shakespeare
Adapted & Directed by Elizabeth Dinkova
A small secluded community has sworn off the rest of the world and built their own perfect haven in the woods. In this land of sacred hymns and mystical rites, matriarch Lear demands complete submission, but it's a small price to pay for utopia. When Lear decides to pass the reins to her daughters and a prodigal son returns, lines between cult and culture blur. As society strains under the weight of the old guard’s expectations and the new guard’s machinations, everyone's true self will be revealed.
Elizabeth Dinkova (she/her) is a Bulgarian director, adaptor, and collaborative creator who explores alternative realities at the intersection of theater, film, and music in pursuit of communal transformation. She has previously worked with Shakespeare in the Woods directing & adapting Coriolanus and Hamlet. Elizabeth is the Artistic Director of Washington D.C.’s award-winning Spooky Action Theater. In 2021-22, she was an Associate Artistic Director of 7 Stages Theatre, Atlanta's hub for boundary-pushing international theater. She is an alum of the Alliance Theatre’s Artistic Leadership fellowship, the Studio Theatre's Artistic Apprenticeship, and a graduate from the MFA Directing program at the Yale School of Drama, where she served as a Co-Artistic Director of the Yale Summer Cabaret and received the Julian Milton Kaufman prize for Directing. Recent projects include Richard Strauss’s opera Salome with Heartbeat Opera (NYT Critics’ Pick), Theater J’s The Berlin Diaries, Woolly Mammoth Theatre Company’s Dead Inside (Associate Director), Spooky Action’s The Dragon, Professor Woland’s Black Magic Rock Show (also Book Co-Writer), Frontiéres Sans Frontiéres, Sonnets for an Old Century and workshop of Syrena, Rage, a play with music inspired by Stephen King's eponymous novel, the visual album TIT, inspired by Titus Andronicus and co-written with Jesse Rasmussen, at the NYC Indie Theatre Film Festival, The Seagull at Serenbe Playhouse, and the opera Orfeo ed Euridice at Bel Cantanti Opera Company. Elizabeth has taught acting, directing, devising, and musical theater at the Toronto Metropolitan University, University of California Riverside, Quinnipiac University, and Queens College CUNY.
MERRY WIVES
By William Shakespeare
Adapted & Directed by Jaz Hall
Ain’t no party like a peafowl party cause a peafowl party don’t… squawk?! Step right up, you don’t want to miss the PEACOCK PROMENADE. Domesticity be damned; in this quick witted, anachronistic envisioning, our merry “Mistresses of Ceremony” manage the most (systemically) popular show on Earth. Step right up, it’s burlesque.. it’s drag… it’s… the PERFORMANCE OF MASCULINITY! Thaaaaat’s right, grounded in one of Mutha Nature’s most fabulous displays of virility, this delightfully absurd production subverts societally expected and accepted expressions of “masculinity” simply with an exchange of modus operandi (the method of expression).
Jaz Hall (they/them) is a Black neurospicy, queer & genderqueer interdisciplinary performer & creative leader. Founder of “WOMB, the creation space,” Jaz is devoted to placemaking for independent artists from historically marginalized communities. Works for & by these communities are the forward momentum of necessary change. Most recently, Jaz assistant directed the world premiere of The Great Privation by Nia Akilah Robinson at Soho Rep & co-directed the transformative ‘TIA PRAY A SOUND by a.k. payne in Breaking the Binary’s Theatre Festival. Other recent collaborators include Play On Shakespeare, Universes & Ashland New Play Festival. Oregon Shakespeare Festival - ADMINISTRATOR: Artistic Producing Team (2019-2021), Interim FAIR Manager (2024, “The FAIR Experience” program revival); ASSISTANT DIRECTOR: Alice In Wonderland (2019), Once On This Island (2022), Romeo & Juliet (2023), Macbeth (2024); PERFORMER: Acting Company (2022); Green Show Stage (2022-2024); FREELANCE PRODUCER: WOMB (2020-2021, Virtual); Green Show Stage (2022-2024). TRAINING: MFA Candidate, Directing (May 2028, CalArts); BFA, Musical Theatre (Howard University); FAIR Directing Assistantship (2019, OSF); Allen Lee Hughes Artistic Development Casting Fellow (2014-2015, Arena Stage). www.TheJazHall.com

